Spring Market: Color Is Doing More Work Than You Think
Before You Paint: What Sellers Could Be Getting Wrong This Spring
Word Count~1,050 words Estimated Read Time4–5 minutes
Spring has a way of bringing everything into focus. More light comes into the room, more inventory comes onto the market, and homes that felt perfectly fine in the middle of winter start to feel a little different. This is usually the moment when the conversation turns to paint.
We’ve been seeing a noticeable color shift lately, and it’s showing up at the same time the market is gaining momentum. For years, cool grays and bright whites carried the day. They were easy, predictable, and widely accepted. Today, they’re starting to feel flat. Not necessarily wrong, just not adding much to the experience of the space.
Designers are moving away from those cooler palettes in favor of something with more depth. Icy grays and blue-based whites tend to fall short in living areas where people are looking for warmth and a sense of ease. White-on-white schemes, which once felt like the safest option, can now come across as stark unless they’re layered with intention.
What’s replacing them is more nuanced. Warm whites, soft creams, and ivories that carry a bit more substance are showing up consistently. Colors like Swiss Coffee or Joa’s White don’t call attention to themselves, but they hold up throughout the day as the light shifts. Even Agreeable Gray still has a place, but it’s being used more carefully and without the cooler undertone that defined the last cycle.
Swiss Coffee is an essential white paint color with just the right amount of warmth.
The same thing is happening with greens. The lighter, more predictable tones are giving way to something deeper—olive, moss, even shades that lean slightly khaki or bronze. These colors behave differently. They feel grounded in natural light and still maintain their presence in the evening under softer lighting, which matters more than most people realize, especially here in Chicago.
All of this sits on the design side of the conversation. Where it becomes relevant to us is how it shows up in the market.
Green 05 Rome House Eggshell. Rome SoHo House. Lick Paint
Every spring, as sellers prepare to list or reposition a home, paint becomes part of the plan. A fresh coat is often seen as an easy win. And to a point, that’s true. But it’s also one of the more consequential decisions being made, whether people realize it or not.
Wall color isn’t a small detail. It’s the largest continuous surface in the home. It influences how light moves, how space is perceived, and how everything else in the room comes together. Before anyone has time to process the layout or finish, they’re already reacting to it.
We hear it all the time: “Just put a fresh coat of paint on the walls, and you’re good.” The concept is right, but it’s not a complete thought. The outcome depends entirely on the choice behind it. A fresh coat of the wrong color reinforces the problem across every wall in the home.
There’s no shortage of resources to get this right today. Designers, stagers, paint consultants, even well-developed brand palettes that take much of the guesswork out of the process. It’s not unlike following a recipe. The idea itself is simple, but the process and the execution determine the final result.
Where this tends to break down is in personal preference. “I’ve always liked this color” is something we hear often. And that may very well be true, but it doesn’t translate in a market setting. Buyers aren’t evaluating taste. They’re reacting to how a space feels in real time.
Wall color isn’t a finishing touch. It’s the backdrop for every impression a buyer will have.
We’ve walked through more homes than we can count where everything lined up on paper—location, layout, condition—and still something didn’t connect. In many cases, it wasn’t obvious. It was the backdrop. A tone that was too cool, too stark, or too specific. Nothing dramatic, just enough to shift the overall experience of the space.
In our business, we’re in and out of homes every day. Over time, certain patterns become clear. Some elements consistently carry more weight than others. Not opinion—observation. The paint on the walls, the lighting in the room, the scale of the space and what’s in it, even the scent of the home. These are the things that shape the moment. Whether a property is on the market or you’re hosting people in your home, they influence what is seen, what is felt, and what is remembered.
Brown is emerging as a sophisticated alternative to beige, black and gray. Deep chocolatey tones, such as Benjamin Moore’s Color of the Year 2026, Silhouette, offer a rich and versatile option.
There are plenty of areas where a seller can take a more personal approach. Wall color isn’t one of them. It’s too present, too constant, and too influential. When it’s off, it doesn’t need to be dramatic to have an impact. It simply changes how the entire home reads.
The move toward warmer, more layered palettes isn’t about trend for the sake of it. It’s about creating spaces that feel balanced and easy to step into. That tends to translate better when buyers are moving quickly and comparing multiple homes in a short period of time.
If paint is part of the plan this spring, it’s worth slowing down and making the decision with some intention. Not because it’s complicated, but because when it’s done well, it changes the entire result.
— Craig Hogan & Rudy Zavala
Hogan Zavala Group | Engel & Völkers Chicago
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Craig Hogan | Rudy Zavala
